Broadway Station: Backup – by Chris Eugene Mills


How do you relate to the internet? Windows 95 once asked us . Where do you want to go today? And we delightfully remained in our seats.

Twenty years later, we remain there, hovering in front of monitors and displays that promise an other, virtual space. And we simply can't make the same excuses that we did before, fooling ourselves that maybe those bulky monitors held some other realm. That stated, we are dynamically networked like never before. Step on the other side of the glass, try and see the same image in the same light.

Do we relate to visual materials in the same way if they grow and develop without their roots?  If they transform and evolve, do thosereferents and roots matter?  If you discovered one of these plans were sourced from City Hall behind you, would you find the structure more or less depictive of that building?

This series develops strongly from Mills' current investigations into the borders of our post-internet  society, as  well as from his previous studies  in architecture and engineering. Taking technical floorplans sourced from the internet and stripped of identification, the artist elaborated to create new faux-3d forms, estimating the information lost in their compression.

Floorplans themselves are an abstraction; reduced to fulfill singular purposes. Taking these abstracted files spread around the internet, Mills ruminates on the kind of structures that could be made by a networked, artificial mind if it was trained on these informative but ..lossy" images.

Chris  Eugene  Mills  is  a  Vancouver­ based artist working through  various disciplines including late net-art, video, photography, and machine drawing; all tangled up in the intersections of our networked   culture.  He   is   currently studying  at  the  University  of  British Columbia.


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